Resources
Video Bibliography

Ball, M.S. & Smith, G. W.H. (1992). Analyzing visual data. Qualitative Research
Methods Series 24. London: Sage Publications.

Becker, S. (1998). “Visual sociology, documentary, photography and photojournalism:
It’s (almost) all a matter of context.” In J. Prosser (Ed.) Image-based Research: A Sourcebook for Qualitative Researchers. London: Falmer Press.

Braden, S. (1996) Video work with communities. Anthropology in Action, 3, (1).

Citron, M. (1999). Home movies and other necessary fictions. Minneapolis: University
of Minnesota Press.

Coles, R. (1997). Doing Documentary Work. New York: Oxford University Press.

Fischman, G. E. (2001). Reflections about images, visual culture, and educational research. Educational Researcher. 30 (8), 28-31.

Henley (1998). Film-making and ethnographic research. In J. Prosser (Ed.). Image based research: A sourcebook for qualitative researchers. London: Falmer Press.

Kleinhaus, C. (1986). Aunt Alice’s home movies. Journal of Film & Video, 38 (3-4), 25 35.

Kuhn, Annette (1994). Women’s pictures: Feminism & cinema. London & New York:
Verso.

Kuhn, (1985). The power of the image: Essays on representation and sexuality. London:
Routledge & Kegan Paul.

Kuhn, A. (1982). Women's Pictures: Feminism and Cinema. London: Routledge and Kegan Paul.

Kuhn, A. (1985). The Power of the Image: Essays on Representation and Sexuality. London: Routledge and Kegan Paul.

Kuhn, A. (1994). Women’s pictures: Feminism & cinema. London & New York:
Verso.

Kuhn, A. (1988). Cinema, Censorship and Sexuality. London: Routledge.

Kuhn, A. (Forthcoming) Dreaming of Fred and Ginger: Cinema and Cultural Memory. London: I B Tauris.

Lehman, P. (1989). “American Gigolo: The male body makes an appearance, of sorts.” In Ruppert, J. (Ed.) Gender: Literary and Cinematic Representation. Gainesville: University Press of The Modern Language Association of America.

Mak, M. & Mitchell, C. (2001). Unwanted images: Addressing gender-based violence in the New South Africa. Video Documentary. Montreal: Canada South Africa Education Management Program.

Mehan, Hugh (1993). "Why I Like to Look: On the Use of Videotape as an Instrument in
Educational Research." In M. Schratz (Ed.) Qualitative Voices in Educational Research. London: Falmer Press. 93-105.

Mellencamp, P. (1989). “The unfashionable male subject.” In: J. Ruppert (Ed.) Gender:
Literary and Cinematic Representation, Gainesville: University Press of Florida. 17-24.

Mitchell, C., Walsh, S, & Weber, S. (in press). Behind the lens: Reflexivity and video documentary. In G. Knowles and A. Cole. The art of visual inquiry. Halifax: Backalong Press.

Mullen, C. A. & Diamond, C. T. P. (2002a). Showcasing arts-based inquiries in
leadership. In C. Bagley & M. B. Cancienne (Eds.), Dancing the data (p.133-
146). New York: Peter Lang.

Rabiger, M. (1997). Directing the documentary. Boston & London: Focal Press.
Rose, G. (2001). Visual methodologies. London: Sage.

Rollwagen, J. (1988). The role of anthropological theory in “ethnographic” filmmaking. In J. Rollwagen (Ed.). Anthropological filmmaking: Anthropological perspectives on the production of film and video for general public audiences (pp.287-309).Amsterdam: Harwood Academic Press.

Ruby, J. (2000). Picturing culture: Explorations of film and Anthropology. Chicago and London: University of Chicago Press.

Ruppert, J. (Ed.) (1989). Gender: Literary and Cinematic Representation. Gainesville:
University Press of Florida.

Ruppert, J. (1989). “Introduction: Gender and representation.” In J. Ruppert (Ed.) Gender: Literary and Cinematic Representation. Gainesville: University Press of Florida. 1-7.

Ryan, A. (2001). “Feminism and sexual freedom in an age of AIDS.” Sexualities, 4(1) Feb.: 91-107.

Sefton-Green, J. and Buckingham, D. (1998). "Digital Visions: Children's 'creative uses" of Multimedia Technologies." Ch. 4 In J. Sefton-Green (Ed.) Digital Diversions: Youth Culture in the Age of Multimedia. London: UCL Press.

Spence. J. and Solomon, J. (Eds.) (1995). What can a woman do with a camera? London:
Scarlet Press.

Spence. J. and Solomon, J. (Eds.) (1995). What Can a Woman do With a Camera? London: Scarlet Press.

Stacey, J. (1994). Star Gazing: Hollywood Cinema and Female Spectatorship. London & New York: Routledge.

Tasker, Y (1998). Working Girls: Gender and Sexuality in Popular Cinema. London and New York: Routledge.

Weber, S. J. (2002a). What can a researcher do with a video camera? Documentary
digital video. Directed by S. Weber, based on research conducted by S. Weber,
C. Mitchell, & C. Tardif. An Image and Identity Research Collective Production.
Concordia University, Montreal.

Weber, S. (2002b).Using video in research: Methodological issues. Symposium,
American Educational Research Association 2002 Annual Conference. New
Orleans, Louisiana.

White,Shirley A. (Ed.)(2003) Participatory Video: Images that Transform and Empower. London, Thousand Oaks, New Delhi: Sage Publications.

Zimmerman, P. (1995). Reel families: A social history of amateur film. Bloomington, IN:
Indiana University Press.


Related

Barone, T (2000).Aesthetics, politics, educational inquiries: Essays and examples. New
York: Peter Lang.

Charbonneau-Gowdy P. (2002). Over the rainbow Directed and Produced by Paula
Charbonneau-Gowdy, 13 min. video, colour;

Collier, J. & Collier, M. (Ed.). (1986). Visual anthropology: Photography as a research method. Albuquerque: University of New Mexico Press.

Dyer, R. (1993). The Matter of Images: Essays on Representations. Routlege. London.

Emery, W., Tiseo, F & Llewellyn, L. (Eds.) (2000). Rainbow of dreams: Memories in
black and white. Calgary: Detselig Enterprises Ltd.

Ewald, W. (1985). Portraits and dreams: Photographs and stories by children of the Appalachian. London: Writers and Readers Publishing Cooperative Society.

Fischman, G. E. (2001). Reflections about images, visual culture, and educational research. Educational Researcher. 30 (8), 28-31.

Glenbow, Vera Lemecha (1991). The embodied viewer. Calgary: Glenbow Museum.

Gardner, R. (1986). The fiction of non-fiction film. Cilect Review, 2 (1), 23-4.
Harper, D. (1998). On the authority of the image: Visual methods at the crossroads. In
N. K. Denzin & Y. S. Lincoln (Eds.), Collecting and interpreting qualitative
research. Thousand Oaks, London, & New Delhi: Sage.

Kuhn, (1985). The power of the image: Essays on representation and sexuality. London:
Routledge & Kegan Paul.

Martin, Elizabeth & Meyer, Virvian (1997). Female gazes: Seventy-five women artists.
Toronto: Second Story Press.

Spence, J. (1991). Shame-work: Thoughts on family snaps and fractured identities. In P.
Holland & J. Spence. (Eds.), Family snaps: The meaning of domestic photograph.
London: Virago.

Spence, J. (1988). Putting myself in the picture: A political, personal and photographic
autobiography. Seattle: The Real Comet Press.

Spence. J. and Solomon, J. (Eds.) (1995). What can a woman do with a camera? London:
Scarlet Press.

Van Leewent, T. & Jewitt, C. (2001). Handbook of visual analysis. London: Sage.

 

 


 
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